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NACA 2026: Gayton McKenzie Puts Cash Behind Creative Talent as SA’s Artists Take Centre Stage

NACA 2026: Gayton McKenzie Puts Cash Behind Creative Talent as SA’s Artists Take Centre Stage

South Africa’s creative sector received more than applause at the 2026 National Arts and Culture Awards (NACA), with Sport, Arts and Culture Minister Gayton McKenzie making it clear that recognition must also come with meaningful financial support.

Held at Sun City Resort in the North West on Friday, 21 August, NACA 2026 celebrated artists, designers, performers, filmmakers, writers and cultural practitioners across some of the country’s most important creative disciplines.

But beyond the glamour of the awards ceremony, McKenzie’s message was focused on one thing: putting money behind South African talent.

For the first time, NACA winners received R50,000 in prize money, while nominees were also reportedly awarded R20,000 each. The move represents a significant shift from awards that traditionally focused primarily on recognition and trophies.

Speaking around the awards, McKenzie made his position clear: “I said there must be money. Nothing shows people’s interest in you like them giving you money.”

The minister also pointed to the long-standing frustrations within the creative sector, saying artists and other creatives have spent years calling for greater support. “For 30 years, artists, designers and people behind the camera have been complaining. I came, I saw and we’re going to conquer together.”

His comments come at a time when financial sustainability remains one of the biggest challenges facing South Africa’s creative industries.

For many artists, recognition can boost visibility but does not necessarily translate into sustainable income, access to professional support or long-term security. NACA 2026 sought to address part of that gap by attaching tangible financial value to the awards.

A New Approach to Supporting Creatives

McKenzie has repeatedly spoken about the need to rethink how government supports the arts and culture sector, and NACA 2026 provided a platform to put some of that approach into practice.

The minister said the department intends to continue changing the way artists, designers and other creative professionals are supported. “We’re going to change stuff for artists, for our creatives, for our designers, because they’re just the best.”

The message was particularly significant given the breadth of talent recognised at this year’s awards.

Among the winners were fashion designer David Tlale, actor Themba Ndaba, poet Koleka Putuma, dancer and choreographer Gregory Maqoma, actress Zenande Mfenyana, musician Sisa Benjamin Zako and publisher Jacana Media.

The awards also recognised major cultural institutions and figures, while Ministerial Awards honoured individuals whose careers have made lasting contributions to South Africa’s cultural landscape.

More Than a Trophy

The introduction of prize money gives NACA a potentially bigger role within the creative economy.

Rather than simply marking the end of a successful project or career milestone, the financial component can provide winners with resources to reinvest in their work, develop new projects or strengthen their creative businesses.

For an industry where many practitioners operate as independent entrepreneurs, that distinction matters.

NACA 2026 was held under the theme “Celebrating Our Nation’s Creative Excellence”, with the programme spanning Heritage, Visual Arts and Craft, Design, Performing Arts, Audio Visual and Literary work.

The ceremony was broadcast on SABC 1 on Saturday, 22 August, bringing the celebration of South African creative talent to a national television audience.

As the NACA platform continues to grow, the bigger question will be whether the financial support introduced this year can become part of a longer-term model for investing in the people who keep South Africa’s creative industries moving.

For McKenzie, however, the direction appears clear: creative excellence should not only be celebrated — it should be backed.

Main Image: NACA

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